Assumption of the Virgin (cupola fresco, Sant’Andrea della Valle)
E1033061
Assumption of the Virgin (cupola fresco, Sant’Andrea della Valle) is a monumental Baroque ceiling fresco in Rome depicting the Virgin Mary’s ascent to heaven in a dramatic illusionistic style.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Assumption of the Virgin (cupola fresco, Sant’Andrea della Valle) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T13293191 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Assumption of the Virgin (cupola fresco, Sant’Andrea della Valle) Context triple: [Giovanni Lanfranco, notableWork, Assumption of the Virgin (cupola fresco, Sant’Andrea della Valle)]
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A.
Assumption of the Virgin (dome fresco)
Assumption of the Virgin (dome fresco) is a monumental late Renaissance ceiling painting by Correggio in Parma Cathedral, celebrated for its dramatic illusionistic perspective and swirling heavenly ascent of the Virgin Mary.
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B.
Assumption of the Virgin (Titian)
Assumption of the Virgin (Titian) is a monumental early 16th-century altarpiece by Titian, celebrated as a masterpiece of the Italian Renaissance for its dramatic composition and vivid color.
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C.
Assumption of the Virgin (Cerasi Chapel)
Assumption of the Virgin (Cerasi Chapel) is a Baroque altarpiece painting by Annibale Carracci depicting the Virgin Mary’s ascent into heaven, created for the Cerasi Chapel in Santa Maria del Popolo in Rome.
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D.
Assumption of the Virgin (Parma Cathedral)
Assumption of the Virgin (Parma Cathedral) is a monumental early 16th-century fresco by Correggio that dramatically decorates the cathedral’s dome with a swirling, illusionistic vision of the Virgin Mary’s ascent into heaven.
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E.
The Assumption of the Virgin (Santa Maria in Trastevere)
The Assumption of the Virgin (Santa Maria in Trastevere) is a celebrated Baroque altarpiece by Domenichino depicting the Virgin Mary’s ascent into heaven, located in Rome’s Basilica of Santa Maria in Trastevere.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Assumption of the Virgin (cupola fresco, Sant’Andrea della Valle) Target entity description: Assumption of the Virgin (cupola fresco, Sant’Andrea della Valle) is a monumental Baroque ceiling fresco in Rome depicting the Virgin Mary’s ascent to heaven in a dramatic illusionistic style.
-
A.
Assumption of the Virgin (dome fresco)
Assumption of the Virgin (dome fresco) is a monumental late Renaissance ceiling painting by Correggio in Parma Cathedral, celebrated for its dramatic illusionistic perspective and swirling heavenly ascent of the Virgin Mary.
-
B.
Assumption of the Virgin (Titian)
Assumption of the Virgin (Titian) is a monumental early 16th-century altarpiece by Titian, celebrated as a masterpiece of the Italian Renaissance for its dramatic composition and vivid color.
-
C.
Assumption of the Virgin (Cerasi Chapel)
Assumption of the Virgin (Cerasi Chapel) is a Baroque altarpiece painting by Annibale Carracci depicting the Virgin Mary’s ascent into heaven, created for the Cerasi Chapel in Santa Maria del Popolo in Rome.
-
D.
Assumption of the Virgin (Parma Cathedral)
Assumption of the Virgin (Parma Cathedral) is a monumental early 16th-century fresco by Correggio that dramatically decorates the cathedral’s dome with a swirling, illusionistic vision of the Virgin Mary’s ascent into heaven.
-
E.
The Assumption of the Virgin (Santa Maria in Trastevere)
The Assumption of the Virgin (Santa Maria in Trastevere) is a celebrated Baroque altarpiece by Domenichino depicting the Virgin Mary’s ascent into heaven, located in Rome’s Basilica of Santa Maria in Trastevere.
- F. None of above. chosen
Statements (43)
| Predicate | Object |
|---|---|
| instanceOf |
Baroque artwork
ⓘ
ceiling fresco ⓘ religious painting ⓘ |
| architecturalElementDecorated | cupola ⓘ |
| artForm | mural painting ⓘ |
| artHistoricalPeriod | 17th century ⓘ |
| artisticGoal | create illusion of infinite space ⓘ |
| associatedWith |
Feast of the Assumption
ⓘ
linked to:
Feast of the Assumption of Mary
Marian devotion ⓘ |
| colorPalette | luminous and saturated colors ⓘ |
| composition | vertically ascending composition ⓘ |
| country | Italy ⓘ |
| culturalContext | Counter-Reformation Catholicism ⓘ |
| depictionType | heavenly vision ⓘ |
| depicts |
Assumption of the Virgin Mary
ⓘ
linked to:
The Assumption of the Virgin Mary
Virgin Mary ⓘ angels ⓘ heavenly glory ⓘ |
| emotionalTone | ecstatic and triumphant ⓘ |
| function |
devotional image
ⓘ
liturgical decoration ⓘ |
| genre | sacred art ⓘ |
| iconography | Marian iconography ⓘ |
| lightingEffect | dramatic chiaroscuro ⓘ |
| locatedIn |
Italy
ⓘ
Lazio ⓘ Rome ⓘ Sant’Andrea della Valle ⓘ
linked to:
Basilica di Sant’Andrea della Valle
|
| locationType | church dome ⓘ |
| medium | fresco ⓘ |
| movement | Baroque ⓘ |
| narrativeMoment | moment of Mary’s bodily assumption into heaven ⓘ |
| perspective | illusionistic perspective from below ⓘ |
| religion | Roman Catholicism ⓘ |
| setting | interior of a church ⓘ |
| style |
di sotto in sù
ⓘ
illusionistic ceiling painting ⓘ quadratura ⓘ |
| subject | Virgin Mary’s ascent to heaven ⓘ |
| technique | buon fresco ⓘ |
| theme |
glorification of the Virgin Mary
ⓘ
triumph over death ⓘ |
| visualEffect | opening of the dome to the heavens ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Assumption of the Virgin (cupola fresco, Sant’Andrea della Valle) Description of subject: Assumption of the Virgin (cupola fresco, Sant’Andrea della Valle) is a monumental Baroque ceiling fresco in Rome depicting the Virgin Mary’s ascent to heaven in a dramatic illusionistic style.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.
Giovanni Lanfranco
→
notableWork
→
Assumption of the Virgin (cupola fresco, Sant’Andrea della Valle)
ⓘ