Paul

E1008822

Paul is the tormented protagonist of Erich Wolfgang Korngold’s opera "Die tote Stadt," struggling with grief and obsession over his dead wife in the decaying city of Bruges.

All labels observed (1)

Label Occurrences
Paul canonical 1

How this entity was disambiguated

Statements (49)

Predicate Object
instanceOf fictional character ⓘ
opera character ⓘ
protagonist ⓘ
appearsIn Die tote Stadt ⓘ
appearsInAct Act I of Die tote Stadt ⓘ
linked to: Nachtstück

Act II of Die tote Stadt ⓘ
Act III of Die tote Stadt ⓘ
artFormContext late-Romantic opera ⓘ
associatedTheme Eros and Thanatos (love and death) ⓘ
linked to: Eros

memory and illusion ⓘ
religious guilt ⓘ
basedOn Paul in "Bruges-la-Morte" ⓘ
linked to: Bruges-la-Morte
centralConflict confusion between memory and reality ⓘ
inability to accept his wife Marie’s death ⓘ
characterArc from obsessive mourning toward renunciation ⓘ
cityDescribedAs Die tote Stadt (the dead city) ⓘ
linked to: The Dead City
createdBy Erich Wolfgang Korngold ⓘ
Paul Schott ⓘ
dramaticFunction focus of psychological drama ⓘ
emotion grief over his dead wife ⓘ
fictionalUniverse Die tote Stadt ⓘ
firstPerformanceContext premiere of Die tote Stadt in 1920 ⓘ
friend Frank (Die tote Stadt) ⓘ
gender male ⓘ
hallucinates procession of monks and nuns in Bruges ⓘ
visions blending Marie and Marietta ⓘ
housekeeper Brigitta (Die tote Stadt) ⓘ
keeps lock of Marie’s hair ⓘ
portraits of Marie ⓘ
shrine to Marie ⓘ
languageOfWork German ⓘ
librettoBy Paul Schott (pseudonym of Julius and Erich Wolfgang Korngold) ⓘ
linked to: Julius Korngold
maritalStatus widower ⓘ
meets Marietta (Die tote Stadt) ⓘ
nationalTraditionOfWork Austro-German opera ⓘ
notableScene confrontation with Marietta in his shrine room ⓘ
vision of strangling Marietta with Marie’s hair ⓘ
occupation bourgeois citizen of Bruges ⓘ
perceivesAs double of Marie ⓘ
primaryTrait grief-stricken ⓘ
obsessive ⓘ
relationshipWithMarietta attempt to resurrect Marie through Marietta ⓘ
erotic obsession ⓘ
religiousBackground Catholic milieu ⓘ
residence Bruges ⓘ
settingTime late 19th century or early 20th century Bruges ⓘ
spouse Marie (Die tote Stadt) ⓘ
symbolicallyRepresents danger of living in the past ⓘ
pathological mourning ⓘ

How these facts were elicited

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.